Nancy Wilson - But Beautiful

Kenmerken

Conditie: Nieuw

Genre: Jazz

Beschrijving

Originally released in 1969 -2009 UK Pure Pleasure reissue on 180g HQ virgin analouge pressing =A fine album from this '60s period, But Beautiful, a jazz ballad set led by pianist Hank Jones. In the '70s and '80s, Nancy Wilson slowly made the tran...
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Release date 24112009(originally released in 1969)
2009 UK Pure Pleasure reissue on 180g HQ virgin analouge pressing =A fine album from this '60s period, But Beautiful, a jazz ballad set led by pianist Hank Jones. In the '70s and '80s, Nancy Wilson slowly made the transition from pop star to adult contemporary soul singer. From the 1990s to the present day, Wilson returned to alternating jazz standards, quiet storm and adult contemporary ballads, while putting on a sensational jazz show in concert. The longevity of Wilson's career and the continuing strength of her voice are almost unheard of in modern pop music, though her career and her affinity with jazz, blues and soul shares many parallels with one-time Capitol labelmate Lou Rawls.

Tracks:
A1     Happiness Is A Thing Called Joe 
A2     Oh! Look At Me Now
A3     Glad To Be Unhappy    
A4     Do It Again 
A5     But Beautiful 
A6     Easy Living

B1     Prelude To A Kiss   
B2     I Thought About You    
B3     For Heaven's Sake    
B4     Supper Time  
B5     I'll Walk Alone     
B6     Darn That Dream     
B7     In A Sentmental Mood

A highly successful and respected jazz and soul singer, Nancy Wilson bridges the gap between the classic pop vocal era of Peggy Lee, Frank Sinatra and Ella Fitzgerald and the belting R&B divas of today. Though Nancy Wilson has always cited the emotionally naked, androgynous vocal style of Jimmy Scott as her primary influence, her voice carries definite echoes of Dinah Washington and Sarah Vaughan.

Yet Wilson also has always had a strong feeling for post-Sam Cooke soul and the tartness of her delivery carries more than an echo of the sometimes-icy Lena Horne. Young and heart-stoppingly beautiful, Wilson was discovered singing in a N.Y.C. jazz club in the late 1950s by Cannonball Adderley, who told his management at Capitol Records that they needed to scoop her up before another label did. Wilson was immediately signed and started recording for Capitol, the premier vocal label of the 1950s and '60s. She released a couple of very respectable LPs with star arranger Billy May but actually crossed over to radio and the pop charts with two small group jazz platters with her bestselling label mates (one with George Shearing (The Swinging's Mutual) and the other with Cannonball Adderley). Catapulted to the pop stratosphere, Wilson was the bestselling artist on Capitol Records' roster (beating out everyone from Nat King Cole to the Beach Boys) until the Beatles crossed the pond and eclipsed everything and everybody in their culture-changing wake.



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