Flaming Lips - Imagene Peise- Atalas Eets Chrismas

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2013 EU issue on coloured vinyl LP-Record Store Day exlusive release- ATLAST EETS CHRISTMAS was previously released in a very limited physical quantity on CD only under the pseudonym Imagene Peise (with a sticker that read "Love Is The Answer - Merr...
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  Release date: 12-04-20142013 EU issue on 180g vinyl LP-Record Store Day exlusive release ATLAST EETS CHRISTMAS was previously released in a very limited physical quantity on CD only under the pseudonym Imagene Peise (with a sticker that read "Love Is The Answer - Merry Christmas From The Flaming Lips 2007"). The pseudonym Imagene Peise is a John Lennon-esque spelling of "Imagine Peace," ala Lennon s wonsaponatime, and likewise the album title sounds-out "At last, it's Christmas." The alias credits are similarly punning: Imagene Peise - Piano Ominog Bangh - Laughing/Crying Glider Synthesizer Shineyu Bhupal - Drones, Sitar, and Baritone TamburaTracks:A1 Winter WonderlandA2 Silver BellsA3 Christmas Laughing Waltz (Including Jingle Bells)A4 Silent NightA5 Atlas Eets ChristmasB1 Do You Hear What I Hear?B2 Have Yourself A Merry Little ChristmasB3 White Christmas (Binson Echorec Sleigh Ride)B4 Frosty The SnowmanB5 Christmas Kindness SongB6 The Christmas SongFrom the Flaming Lips' presumably vast vault of curiosities comes Atlas Eets Christmas, a psych-jazz piano album that originally appeared in a very limited run under the pseudonym Imagene Peise during the 2007 holiday season. Billed as a lost album by a mysterious young Iraqi piano prodigy name Peise who committed suicide in 1978, the album plays like the soundtrack to some sort of unearthed educational filmstrip where science meets Santa. The same could be said about much of the Lips' more experimental output, which does include other Yuletide offerings, most notably the soundtrack to their 2008 film Christmas on Mars. Almost entirely instrumental and buried under the weight of a fabricated faux-vinyl crackle, Atlas frames their lovely piano arrangements of such classics as "Winter Wonderland," "Do You Hear What I Hear?," and "White Christmas" with buzzing sitars, spacy electronic noises, distant synths, and the band's hallmark Mellotron drones. The result is a warmly intended yet moon-cold Christmas album that is still surprisingly pleasant. Although Wayne Coyne does make his presence known singing lead on the Vince Guaraldi-esque title cut (most likely through an old telephone from his home office on Mars), this largely seems to be the baby of multi-instrumentalist Steven Drozd, whose graceful piano playing makes up the bulk of this unusual venture. As far as Christmas albums go, it's a nice break from the norm, and even its punny name and false back-story can't hide the kooky yet wistful vibe that is the unmistakable stamp of a Flaming Lips production.allmusic 

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