Elvis Presley - A Date with Elvis

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Beschrijving

Originally released in 1959 - 2011 Dutch limited edition 13track pressing on audiophile 180gram vinyl LP -A Date with Elvis is Presleys eighth album . It is a compilation of previously unreleased material from an August 1956 recording session at 20th...
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  Release date 21-07-2011 (Originally released in 1959)

2011 Dutch limited edition 13track pressing on audiophile 180gram vinyl LP -A Date with Elvis is Presleys eighth album . It is a compilation of previously unreleased material from an August 1956 recording session at 20th Century Fox Stage One two sessions from Radio Recorders in Hollywood and multiple sessions at Sun Studio stickered and sealed in a beautiful gatefold sleeve

Tracks:
A1     Blue Moon Of Kentucky     
A1     Blue Moon Of Kentucky
A2     Young And Beautiful
A3     (You're So Square) Baby I Don't Care
A4     Milk Cow Blues Boogie
A5     Baby Let's Play House

B1     Good Rockin' Tonight
B2     Is It So Strange
B3     We're Gonna Move
B4     I Want To Be Free
B5     I Forgot To Remember To Forget
B6      I'm Left, You're Right, She's Gone
B7     Lawdy, Miss Clawdy

Like its companion release (For LP Fans Only), A Date With Elvis has left varying impressions on different generations of Elvis Presley fans. If you were around in 1959, the first thing you probably noticed was that it was the gatefold jacket, with lots of really cool photos inside and out of Elvis Presley in uniform. Hearing this album - which contained not a word about where or when the music on it was recorded - one would have been struck by just how raw and lively the music was. As they had with For LP Fans Only, RCA had assembled a "new" Elvis Presley album by reaching back to five of the best of his best Sun Records sides, augmented with a few songs left over from the Love Me Tender and Jailhouse Rock soundtrack EPs. The 1954-1955 recordings of "Milkcow Blues Boogie," "Good Rockin' Tonight," "Baby Let's Play House," etc., with their lean textures, frantic sound, and Scotty Moore's slashing lead guitar, were a far cry from anything heard on his recent RCA soundtracks.

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